The Making of a Fine-Art Print 'Man, Lantern and Orange Wall'

The Making of a Fine-Art Print 'Man, Lantern and Orange Wall'


I am once again in San Miguel de Allende and for the last 2 weeks I've been like a young boy running around in a large candy shop. It feels great to be back and there have been so many favourite places to visit and most importantly eat some great food.  I have managed to photograph some new scenes and these will be the subject of future articles.

Last year I photographed the image below from the section of the Casa Mission on Cerrada de Pila Seca which is only a walking street that runs behind Cafe Monet. I was initially struck by the strong primary colors, the lantern and its shadow and the texture on the wall, but when I printed it, it seemed to lack something to give it extra punch. Some extra texture.

Man, Lantern and Orange wall   12" x 16.5"

Final image with texture added


I tried several generic textures that I had on file, mostly splatter type patterns but none provided the effect that I wanted. Not that I knew what I wanted but I felt that when I saw it, it would feel right.

From the article title you may wonder about the man. If you look closely at the image you should be able to see a man walking in amongst tall bare trees and their branches. It is subtle and that's what I wanted but it's there in the image. Only by accident, I decided to try other B&W images that were actual images. I came across one image with a man walking amongst tall trees and when I overlaid on colorful wall image it worked for me.

In the detailed close-up below the man becomes clearly visible.



The print I made is 12" by 16.5" and to all I showed the print, no one could see the man. In fact, several people showed other areas that they thought was man, which became an added twist to the print.


The overlay photograph is shown below.



A fine-art photograph is about what inspires you. It not about what others are doing with their art or what people think is right or wrong.

Don't be intimated with experimenting or concerned that others don't get it. If you like the results and it provides meaning for you then it's a perfect piece of art work.  With so many people on the planet you can be sure that there will be some that find your work inspirational.

When I printed my final proof photograph which I keep around to ensure that my impressions don't change, one was immediately spoken for.

This photograph is printed on 300 gram, 13" x 19:, Ilford pearl paper. Usually, I tend to print on textured fine-art matte/watercolor paper but this image called for more vibrancy in the colours.

My prints are limited within a series and these are normally sets to 5. If I do another series they will be different in some form, either paper selection and other tonal attributes or printed larger. But any future series will  be sold  at a price that is higher by a reasonable margin than the highest price for the previous series.

2 prints, unframed,  are currently available at the
Orange Gallery   near the Parkdale market in Ottawa


It's just a coincident that the major color of this print and the art gallery are the same.



Niels Henriksen


URL: http://feedproxy.google.com/~r/blogspot/kecE/~3/ZAnqEmLHQ1E/making-of-fine-art-print-man-lantern.html

A Very Social Christmas and A Happy Connected New Year

A Very Social Christmas and A Happy Connected New Year


I want to wish everyone, whether you celebrate Christmas or other seasonal festivities, a very happy holiday season and a great new year with many new opportunities for creative growth.
From the title you may guess that I am talking about social media, which I am, but more about how I try to fit within that world.

Taken in 1955 in Denmark at 4 years old and trying to be a grown-up

I believe that, like many people, I seem to have those social connections that you need to link with other people. This works fine if I need to talk or connect with someone but I'm not sure how my articles about photography and other art works all fit within the new worlds of social media. How do I remain fresh and new with all these social outlets competing for the same information.

I have My Camera World Blog this and there is a corresponding Facebook page

There is also my art blog ' Niels Henriksen Artworks ' where I post articles about my artwork, whether a painting, fine art photography or other mediums. This is again is matched on Facebook with Facebook - Niels Henriksen Artworks 

Who says all self portraits have to be ugly. Well maybe they are.

There is also just plain old me on Facebook at Niels Henriksen. This Facebook page was initially just to connect with people I talk to regularly but I find I do post mostly about my photography and paintings.
I have also loaded some of my photographs on Niels Henriksen on Flickr
Please take the time to connect and I'll connect back so I can see some of your photographs.

My first studio work where I placed my model battle ships and tried to created a war scene. DOF and focus what's that.


Then there's my Linkedin page which is only visible if you are on linkedin and we have connected.

Since we are heading back to San Miguel de Allende for 3 months in Jan I have contacted people about conducting walkabouts with some basic photography lessons included. More than 20 people have shown an interest. To help co-ordinate these walk-abouts and share photos I created a Facebook page ' San Miguel de Allende Photography Club '.



Even at 12 years of age I had penchant for the abstract. Honestly this was not an accidental shot, at least that's what I say now.


And just lately I've signed on to Goolge+ but as yet haven't posted anything and that's the dilemma. How do I remain somewhat fresh across all the media outlets? I just don't want to re-post the same material available on other sites. I don't mind using some of the same images if there is some contextual difference for the audience.

This year I want to get a better handle on the whole social media culture and ensure that on each site there is something new and relevant to the reader.

I sure would like to here how you are handling your multiple media streams with your content or any ideas about what would work.

Please feel free to connect with me on any or all these social sites as I'm happiest when I'm connected with you.


Niels Henriksen









URL: http://feedproxy.google.com/~r/blogspot/kecE/~3/zqpCatSmc74/very-social-christmas-and-happy.html

What to do When a Photo is Missing Parts

What to do When a Photo is Missing Parts


There are times when I'm walking around enjoying the scenery and occasionally taking what I think are interesting photographs around town and I forget to compose correctly. This is normally not noticed until I review them later as I tend not to look at each shot when taken.

This is a different shooting mode than when I really want something special. Then the histogram is reviewed and for images with strong contrast several exposures may be taken. And if tripod is available it will be used.

The above image is the final edited version that I wanted but failed to capture correctly.

Part of the problem is that I wear glasses and sometimes I don't remove them when looking in the camera view finder. I do when the image is critical but for shoot and grab shots I tend to place viewfinder only on the glass face and if I don't line up correctly the image is off centre to what I see.

If you have taken several photos then there may be parts in others that you can use to correct test perfect sections.

In the 3 photos combined below, the far left image is the one I wanted (#1) but as you can see, it's missing parts like the feet and sidewalk. The 2 other photos (middle #2 and right #3) are ones I used to fill in missing sections and cover parts that needed to be removed. The big problem with the other photographs is that they are from different angles and perspectives and therefore, a direct overlay to match parts will not work. You will need to stretch, twist and rotate a little to make the parts fit.



In the next composite photo below with the main image, I extracted the parts of each section that was used to reconstruct the final photograph.

Image #1 provides a good frame-work (base layer) for the whole of photo, except I wanted the lady in image #2
Image #2 was cut and placed on a separate layer and set to difference mode to make it easier to see when frame matches as it all turns black. I needed her bottom feet from another image (#3) to finish off her legs.
There was still the problem of the missing parts of the steps from part #2 which was added by image #4.


Rather than placing a whole copy of another image on top and using masking for desired parts and moving around, I recommend only cutting out the main parts from another file and copying to the working file. The reason for this is that when you zoom in on a large image to examine the fit, the handles are no longer available to use for positioning as these are at the edges of image. By only using a cropped parts, the handles for positioning are now just outside the smaller part and available for use even when zoomed in.

This is a lot of work and not for everyone. It would be easier to retake the photograph, if possible, but if you're on vacation or it's an impromptu moment, it may not be possible. This process allows you to get the photograph that you wanted but somehow missed.
I do realize that I need to be more careful when using glasses and maybe a monocle for the other eye would work. This is one advantage that EV viewfinders on back of camera work well for people with glasses.


Niels Henriksen

URL: http://feedproxy.google.com/~r/blogspot/kecE/~3/ad1ytNs2_pc/what-to-do-when-photo-is-missing-parts.html