Book Review: Black and White Digital Photography

Book Review: Black and White Digital Photography


Color is wonderful and is a joy to behold but for me there is always something special about a Black and White photograph. I'm not sure if this is because for the most of my life when great photos were presented these tended to be B&W images or the mystique that goes around their genre. But I still find them special.

The world is in color so we don't have a natural tendency to see in B&W but with practice, some inner vision, we can all create good black and white photos.
Black and White Digital Photography (photo workshop) book wants people to be better at this genre of photography.

Black and White Digital Photography (the book)
Author Chris Bucher
ISBN 978-0-470-42193-2
Publisher Wiley Publishing Inc.



The book has 10 chapters and I will explain what is basically covered in each and at the end of the article I will give the overall summary for this book.
This is a workbook of sorts and each chapter has an assignment to help you explore some of the material covered in the chapter.

Chapter 1 – Black and White Vision
This chapter is more of a compendium of general information on importance of Black and White photography, why it is a different art from color. It covers how in the color world seeing in B&W involves more of the creative process. The importance of being able to previsualize, understand the timing in 'the moment' and knowing how to wait.  Where to find photographic material and subjects.

Chapter 2 – Photography Fundamentals
A good general introduction to camera setting such as exposure, aperture, shutter speed, iso, white balance and how these each affect the photographic image. Under composition the rule of thirds, balance, symmetry, shape, simplicity, having a point of view and being able to link compositional elements.

Chapter 3 – Getting the Most out of your Camera
This chapter covers handling the buttons and menu settings on your camera. How white balance affects B&W. Glass filters and suggested settings and lens for portraits, landscape, still life and street photography.

Chapter 4 – Working with Light 
This is what I believe where photography really starts.
This chapter covers metering and exposure, basic zone system, the metering modes of your camera. Light quality and direction as well as reflectors and balancing and mixing sources. Light at dusk and after dark.

Chapter 5 – Tools and Toys
This chapter covers add-ons and supporting equipment for your camera that will allow to take more creative images and includes; Infrared photography, lens baby, smaller point and shoot and speciality DSLR camera, strobes, tripods


Chapter 6 – Tonal Quality in Black and White
This chapter covers converting color to B&W, discussing tones and contrast in B&W images, working with shadows and contrast. Also covers understanding how light quality affects tones and looking for highlights and building depth in the shadows.

Chapter 7 – The Black and White Digital file

The process of converting image to B&W, the use of film filters and the debate on raw or jepg file formats

Chapter 8 – Working in the Digital Darkroom
The chapter discusses the process of enhancing your image to bring out more by use of local and global contrast, multiple raw processing, adjustment layers, masks, shadows and highlight tools, additional filters, selective effects, film situations, workflow. The major emphasis is about using photoshop and digital editing tools.

Chapter 9-  Toning, Coloring and Special Effects
The chapter explains the old film processing techniques and how they can be achieved in digital editing such as; old process effects, split toning, coloring to monochrome, infrared effects, high dynamic range, compositing

10 Output Printing and Presentation
Film was about chemical processes, paper, developing and in this chapter the new equivalents of inject printers and paper, calibrating, creating B&W prints, output options

Conclusion and  Recommended Audience

This is a How To book about creating B&W images digitally. It broadly covers all aspects from start to finish about creating this genre of photography as evidenced by the material cover under the chapters. I don't think little was missed except some freeware program.  The author used higher end equipment,  and computer components and information is geared towards this end.

The book contains a lot of photos and all taken by the author. I like the fact that these are ordinary but good images that we would all take as opposed to those over the top studio shots.

The book does contain assignments at the end and these are general in approach. I am a firm believer that assignments should  be precise and more definitive to help focus people clearly in the direction of guidance. Too much ambiguity for beginners causes confusion in their approach.

There is a web site to post your assignment but at this time (new book) there was nothing posted under the B&W book. This site contains the other workbooks from Wiley press about photography.  Some useful information but a little hard to find since its a Bulletin Board system.
See http://www.photoworkshop.com/  under forum. (the books says www.pwassignments.com but routes to address above.)

This is, in my opinion, a beginners book for someone who mainly uses Point&Shoot camera or mid level SLR type only in auto mode and needs to understand photography, equipment and tools from beginning to end. Each item is well explained but only at a level to get you started and with photography, lots of practice is the key to really getting better.

From my own perspective there are so many books about using cameras I think it's better to leave some of the basic materiel out and focus more on taking B&W and then digital editing.

Niels Henriksen

A bike has so much detail at times its best to focus on particular elements only. In this image you get the feeling of power form the large exhaust pipes.
f.4.4 @ 72mm on 18-70 Nikon lens, 1/15sec, IS0 200

Disclaimer: Other than receiving a book to review, which will be given away, I did not or will not receive any remunerations, gifts or any considerations for this review from the publisher, author or anyone affiliated with this book.

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Why YOUR Photography Matters

Why YOUR Photography Matters



I was using Google Street View to find an intersecting street name for a photo I had taken.
The sign in the image told me one street name and since it was only 4 blocks long I figured it should be easy to determine which one of the 5 intersections was the corner for my image.

I tried 3 times to find the corner but with no luck. I just didn't see my image. It wasn't until I tried to remember where the streets were steep and placed the google 'bonhomme' on that intersection and looked really hard to find the same buildings, it finally become apparent. It was always there but I didn't see it because of the compression in distance in my image.

F9.0 iso 200 s 1/200 @135mm (202mm at 25mm equ)

The next 2 'Google Maps images' show first at the intersection and the second image taken further up 'Solano y Davalos' where approximately I was standing when I took my photo above.

from Google Street View

These google images don't show the true steepness of the streets that surround the central square 'el Jardin' as many call it. Only the image in the bottom right, when zoomed in, begins to show similarities.
from Google Street View

Using a zoom lens could bring the steepness of the street towards the end closer and into view. When standing where the street starts to become steeper, the same perception was harder to capture since at that point there were no references to show level as in the zoomed image.

This is why we each need to take our own photographs because only the photographer can tell the story that they see. Mechanical taken images just don't quite cut it.

Niels Henriksen

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Horse tails and living fossils

Horse tails and living fossils

I'm away in Sweden on holiday and was in some woods with my camera after a long time. I didn't expect to find anything particularly exciting. But that's not what woods are like is it? You make your own excitement in them. The beasties are amazing not in themselves but in the knowledge you possess of them, right? Or something like that. Thank everyone that ever figured anything out, they made the world a bit more wonderful for us all.
Now, plants don't usually do a thing for me.Well, that's unfair. I am beginning to appreciate things about them, especially that they are far less passive in controlling their destinies than we believe them to be. Nonetheless, in comparison with insects, or even birds and mammals, I know less about them and am less keen to.
I did, however, a long time ago do a presentation on plants and how they crossed over from being water loving organisms to being land creatures. Plants have done much the same as animals: crawled out of water onto land and then back again (sea grasses are an example of this). I cannot even begin to do justice to the profoundness of this moment in the history of life, plants are the engine of this planet. But although I may not be able to, Loren Eiseley is.

There were beautiful illlustrations in paleobotany text books and papers of ancient and giant and varied ferns that once were the only plants in the forests. The first plants to form a thin fragile green skin over the earths surface were ancient ferns. I saw one of those ancient ferns today as we strolled on a path by a river: a Wood horsetail, Equisetum sylvaticus.

Equisetum_sylvaticus_DSC4803

There were thousands of them, fragile and delicate, layering the forest floor with their delicate whorled leaves. Utterly beautiful in the broken light. The Horsetails are a living fossil. They are a member of a once (in the Paleozoic) rich and diverse class of plants, now reduced to handful of species in a single genus.
The only reason I know anything about them was that I took a class a long time ago. (And I had a camera and an internet connection and an internet rich and varied enough to help me track them down, but off course, in my mind, my personal history matters more.) I might have walked among the living dead and not have known it.

E_sylvaticus_DSC4805

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